.Although Vives' songs is actually vallenato-adjacent, he still thinks his tracks mentally attach to folkloric vallenato. Correct vallenatos, he claims, identified stories that will journey coming from pueblo to pueblo. La Gota Fru00eda, a 1938 vallenato by Emiliano Zuleta that Vives once dealt with, tells a duel between two famous accordion gamers. Likewise, Vives as well as Shakira told a story of two buddies meeting to ride their bikes coming from Santa clam Marta (Vives' neighborhood) to Los angeles Arenosa (or even Barranquilla, where Shakira is actually coming from) in "Los Angeles Bicicleta." By documenting a tiny item of life in Colombia, Vives protects the typical narration of vallenato via his modern tracks..